Cambridge Eight and Forty

This is another composition of 48 changes. As noted in Tintinnalogia, the treble and 2nd never get to the back, while the 4th and 5th never lead. The pattern is not as clear or regular as the above Eight and Forty, but a recurring motif (shown by the coloured groups) is of the middle three bells ringing all 6 of their permutations (sometimes as Plain Hunt Singles, sometimes Reverse Hunt), while one bell stays leading and another lying. Mostly, one bell leads for two sections and another bell lies behind for two sections, swapping in turns.

1 2 3 4 5
2 1 3 4 5
2 1 3 5 4
2 1 5 3 4
2 5 1 3 4
2 5 3 1 4
2 3 5 1 4
2 3 1 5 4
3 2 1 5 4
3 2 5 1 4
3 5 2 1 4
3 5 1 2 4
3 1 5 2 4
3 1 2 5 4
3 1 2 4 5
3 1 4 2 5
3 4 1 2 5
3 4 2 1 5
3 2 4 1 5
3 2 1 4 5
2 3 1 4 5
2 3 4 1 5
2 4 3 1 5
2 4 1 3 5
2 1 4 3 5
2 1 4 5 3
2 4 1 5 3
2 4 5 1 3
2 5 4 1 3
2 5 1 4 3
2 1 5 4 3
1 2 5 4 3
1 5 2 4 3
1 5 4 2 3
1 4 5 2 3
1 4 2 5 3
1 2 4 5 3
1 2 4 3 5
1 4 2 3 5
1 4 3 2 5
1 3 4 2 5
1 3 2 4 5
1 3 2 5 4
1 3 5 2 4
1 5 3 2 4
1 5 2 3 4
1 2 5 3 4
1 2 3 5 4
1 2 3 4 5

Here is the page from Tintinnalogia. Click on the image for a larger version